A short family history

FontAudition is nineteen years old and still going strong.

It was called PanaFont then, it cost a few dollars, and you unlocked it by typing in a serial number. The Mac App Store would not exist for another four years. Here is where FontAudition actually comes from — and how little the good idea has had to change.

PanaFont 1.0.2 running on Mac OS X, with a Sample Text field reading AaBbCc, a Font Size slider set to 48, a four-column grid of font tiles each labelled with its font name, a columns menu offering 1 up through 8 up, and a status line reading 245 fonts displayed.

2007 and onwards

How a font window became two App Store apps.

  1. 2007

    PanaFont, written because the font menu wasn’t quite enough.

    The source code still exists: the REALbasic project for 1.0.0b1 is dated 25 July 2007, sitting in a folder alongside icon artwork from that April and the demo videos shot the same month. Being REALbasic, it had the pleasant side effect of producing a Windows build too — there is a PanaFont 1.0.1 PC folder in the archive, and we shall not be talking about it again.

  2. The 2000s

    You bought it with a serial number, like a civilized person.

    Under the Help menu, between "PanaFont Help" and nothing else of consequence, sat Enter Serial Number and Purchase…. That was the shareware bargain: download it, try it, and if it earned its keep you paid and typed in a code. Payment went through eSellerate, the sort of company that existed entirely so one-person software shops did not have to become payment processors.

    Apple's part was a listing in its Downloads directory on apple.com — the place you went to find Mac software before there was a Store to find it in. Apple retired that directory in 2011, which is why the original page is not around to link to.

  3. 2009–2013

    A quiet decade of point releases.

    1.0.1, then 1.0.2 in February 2009, then 1.0.3 in October 2010. The last build in the folder is dated 2013 and its filename ends "NO COPY PROTECTION", which is roughly what “giving back” looks like when you are fond of something.

  4. 2021

    It came back with a new name, FontAudition.

    Eight years after that last build, the idea returned to the Mac App Store — on 8 July 2021, this time as a Final Cut Pro workflow extension. It sold under that plain name for five years. The WFE on the end only arrived in 2026, when a second, standalone app finally made it necessary to say which one you meant.

  5. Today

    The same window, two ways.

    FontAudition WFE puts it inside Final Cut Pro, beside the timeline. FontAudition Desktop is the standalone descendant, the one PanaFont would recognize instantly. Rewritten from nothing, sandboxed, notarised, sold through a Store that did not exist when the first version shipped — and still, underneath, a window that shows you your words in every font you own.

The DNA

Look at the 2007 screenshot again.

The DNA is not a figure of speech here. The controls are the same controls, in the same places, doing the same job — because they were right the first time.

PanaFont, 2007

Sample Text. Font Size. 4 up. 245 fonts displayed.

A field for your own words, defaulting to AaBbCc. A size slider. A menu offering 1 up through 8 up. A grid of tiles, each with its font name. A running count of what you were looking at.

FontAudition, today

Sample Text. Font Size. 4 columns. 2,236 Fonts Displayed.

A field for your own words, still defaulting to AaBbCc. A size slider, now 32 to 500. Columns, still one to eight. A grid of tiles, each with its font name. A running count of what you are looking at.

Everything else is new — glyph-coverage filtering, connected font sources, Google Fonts, collections, PDF font sheets, and a drag that carries live vector artwork into Illustrator. But the shape of the thing has not moved in nineteen years, and the sample text still says AaBbCc.

Four icons, one idea

Even the icon was a font grid.

PanaFont's icon was four letterforms in a two-by-two grid, each set in a different face — the app's whole proposition, drawn at 128 pixels. Two eras of Mac icon fashion later, the family still has the same job.

The 2007 PanaFont icon: four letterforms — A, a, a, A — in a two-by-two grid on a glossy black tile, each letter set in a different typeface. PanaFont, 2007

Glossy black, like everything else that year.

The original, at 128 pixels, because that was the size an icon needed to be. Four faces, four cells: the app in miniature.

The 2011 PanaFont icon: the same four-letterform grid, redrawn larger with a teal-tinted glossy finish. PanaFont, 2011

Same grid, bigger canvas.

Redrawn at 512 pixels when Mac icons grew up, with a teal cast over it. The layout did not change, because there was nothing wrong with it.

The FontAudition WFE app icon: a stylised lowercase f on a warm orange rounded tile. FontAudition WFE, today

The one that lives in Final Cut Pro.

A single letterform now, because the grid moved into the app itself where it belongs. Orange, to sit apart from its sibling at a glance in the Dock.

The FontAudition Desktop app icon: a stylised lowercase f on a purple rounded tile. FontAudition Desktop, today

The direct descendant.

The standalone one, the line that runs straight back to that black tile. Different letter, different decade, same question: what does this look like in every font I own?

The bottom line

Still the best-looking font display on the market.

That is an opinion

It is also the opinion of the person who has been staring at this particular window since 2007, which we submit is either the best or the worst possible qualification.

It is a testable one

Put your own headline in it, at the size you are actually setting, next to every font you own. Then go and try that anywhere else. We are quietly confident.

Where it lives now

Two apps, one very old idea.

FontAudition WFE is on the Mac App Store today for Final Cut Pro editors. FontAudition Desktop, the direct descendant of the app in that screenshot, is on the Mac App Store today as well. PanaFont itself is retired, unsupported, and quite happy about it.