CoreTrim exports only the media your timeline actually uses — plus the handles you choose — and relinks your Final Cut Pro project to the new, smaller files. The formats below are trimmed without re-encoding (except where noted), so quality is identical to your originals.
.mov · .mp4 · .m4v
| Format | How it trims | Precision |
|---|---|---|
| Apple ProRes422 · 422 HQ · 422 LT · 4444 · 4444 XQ · RAW · RAW HQ | Lossless | Frame-exact |
| Avid DNxHD / DNxHR | Lossless | Frame-exact |
| H.264 / AVC | Lossless | Keyframe-aligned |
| HEVC / H.265 | Lossless | Keyframe-aligned |
| MPEG-2 (Long-GOP)Sony XDCAM in QuickTime | Lossless | Keyframe-aligned |
Other video that Final Cut Pro can read is also trimmable by re-encoding to ProRes — offered only with your approval, never automatically.
.mxf — broadcast & cinema cameras
| Format | How it trims | Precision |
|---|---|---|
| Avid DNxHD / DNxHR | Lossless | Frame-exact |
| Apple ProRes (MXF-wrapped, e.g. ARRI) | Lossless | Frame-exact |
| MPEG-2 (Long-GOP)Sony XDCAM · Canon XF | Lossless | Keyframe-aligned |
| DV / DVCPRO (MXF-wrapped) | Lossless | Frame-exact |
| Uncompressed (MXF-wrapped) | Lossless | Frame-exact |
| PCM audio (MXF-wrapped) | Lossless | Sample-accurate |
.mts · .m2ts
| Format | How it trims | Precision |
|---|---|---|
| MPEG-2 (HDV-era .mts) | Lossless | Keyframe-aligned |
| H.264 (AVCHD) | Copied in full | Not trimmed |
AVCHD camcorder footage is copied rather than trimmed, by design. Its recordings place true random-access frames roughly eight seconds apart, and trimming to anything less exact risks a clip that starts on the wrong frame — so CoreTrim copies these files intact instead. You lose the space saving on that footage, never the footage.
.wav · .aif · .aiff · .caf · .m4a · .mp3
| Format | How it trims | Precision |
|---|---|---|
| PCMWAV · AIFF · CAF | Lossless | Sample-accurate |
| AAC (M4A) · MP3 | Re-encoded to AAC | Sample-accurate |
Common cameras & the formats CoreTrim trims from them
| ARRI | ProRes (MXF & QuickTime)ARRIRAW is copied in full |
| Sony | XDCAM MPEG-2 (MXF & QuickTime) · α7 / FX mirrorless H.264 & HEVCX-OCN is copied in full |
| Canon | XF MPEG-2 (MXF) · EOS DSLR & mirrorless H.264 & HEVCCinema RAW Light is copied in full |
| Panasonic | Lumix H.264 & HEVCV-RAW and P2 are copied in full |
| Blackmagic · RED | ProRes (QuickTime)BRAW and REDCODE RAW are copied in full |
| GoPro · DJI · drones · iPhone | H.264 & HEVC |
CoreTrim trims your media however your timeline uses it
| Multicam | By default only the angles your cut actually uses are trimmed — or keep every angle complete for future re-editing, or skip multicam entirely. Your choice, and the projected saving updates as you change it. |
| Compound & synchronized clips | Trimmed — CoreTrim looks inside them, at any nesting depth. |
| Auditions | Every take is trimmed — the one you picked and the alternatives you parked — so you can still switch takes after importing. |
| Connected clips, lanes & transitions | Kept in place — timing, keyframes, markers and split edits are preserved. |
All safe — the clip is copied in full, never altered
And if a file can be neither trimmed nor copied — a damaged or unreadable source — CoreTrim leaves it out of the export and says so plainly in the report, rather than quietly linking your new project back to the original media.